Don Wheatley and the Evolution of Duck Call Making in Missouri

The art of duck call making has deep roots in Missouri, a state renowned for its rich waterfowl habitats and hunting traditions. Among the artisans who have significantly contributed to this craft, Don Wheatley of Kenneth, Missouri, stands out as a pivotal figure whose work has influenced both his peers and successors.

Early Life and Introduction to Call Making

Born in 1923, Don Wheatley grew up in an era when hunting was both a means of sustenance and a cherished pastime in Missouri. The state's diverse wetlands and rivers provided ample opportunities for waterfowl hunting, fostering a community deeply connected to the land and its wildlife. It was within this environment that Wheatley's interest in duck call making flourished.

Missouri's Duck Call Making Heritage

To appreciate Wheatley's contributions, it's essential to understand the broader context of duck call making in Missouri. The state has been home to several notable call makers whose innovations have shaped the craft:

• J.T. Beckhart: Often hailed as the father of Arkansas-made duck calls, Beckhart began his craft in the late 19th century. His designs, particularly the "Big Lake" style, became iconic and set a benchmark for quality and effectiveness.

• Claude Stone: After Beckhart's death in 1922, Stone acquired his tools and continued the tradition, further refining the "Big Lake" style and mentoring future artisans. 

This rich heritage provided a foundation upon which Wheatley built his craft.

Wheatley's Craftsmanship and Influence

While specific records of Wheatley's techniques and designs are limited, his inclusion among Missouri's esteemed call makers suggests a reputation for quality and reliability. His work likely embodied the characteristics that define Missouri-style duck calls:

• Material Selection: Utilizing native woods such as walnut and cedar, known for their durability and tonal qualities.

• Design Precision: Crafting calls with meticulous attention to detail, ensuring both aesthetic appeal and functional excellence.
  

• Acoustic Excellence: Tuning each call to produce realistic duck sounds, enhancing hunting success.
  

Wheatley's dedication to his craft not only served the hunting community but also inspired fellow artisans. His commitment to quality resonated with others, encouraging them to uphold high standards in their own work.

Legacy and Modern Influence

The ripple effect of Wheatley's influence is evident in the works of contemporary Missouri call makers:

• Barry McFarland: A native of Hornersville, McFarland learned the art of duck call carving from Joe Stone, Claude Stone's son. McFarland's dedication to the traditional "Big Lake" style, combined with his own innovations, has earned him national recognition, including the Best of Show at the Call Makers and Collectors Association of America in 2005. 

• Kent S. Freeman: Based in Kennett, Missouri, Freeman's handcrafted calls, made from various wood species, reflect the enduring appeal of traditional designs. His work showcases the lasting impact of Missouri's duck call making heritage. 

Conclusion

Don Wheatley's contributions to duck call making are emblematic of Missouri's rich tradition in the craft. His work, influenced by pioneers like Beckhart and Stone, has in turn inspired a new generation of artisans. Through their dedication, the legacy of Missouri's duck call makers continues to thrive, blending time-honored techniques with contemporary artistry to enrich the hunting experience for enthusiasts across the nation.